Tales of the Skald is the debut album by the Scottish quintet, Modern Vikings. Led by composer and percussionist Stephen Henderson (who wrote all of the tracks), the group also features award-winning pianist/composer Fergus McCreadie, David Bowden (bass), Graeme Stephen (guitar and pedals) and Konrad Wisniewski (sax). By combining the simplicity and warmth of Scottish folk music with the urgency, dexterity and groove of American jazz traditions, Henderson’s composing for Modern Vikings contains musical depictions of the natural beauty of rural Scotland as well as places, historical events and mythologies that inspire him. The album's ten tracks range from quiet and delicate to extended passages of high energy, explorative improvisation - often all in the same piece! All of the musicians have a chance to lead or solo many times on the album, adding their distinctive touches to the music. I seriously doubt that many listeners will fall asleep while listening to this one! Most of the tracks range from about five minutes to a little more than nine, allowing plenty of time for the music to develop and the musicians to explore.

Tales of the Skald begins with "Pseudo Power (Prelude)," a two-minute intro that sets the tone of the album and hints at what is in store for the next hour or so. It segues into "Pseudo Power," a rhythmic powerhouse that really soars! "Oslo" begins quietly, moving seamlessly through a variety of themes while building momentum. By the mid-point of the piece, it's really cooking and does so to the end. "November" begins in a more-subdued, almost smooth-jazz style that gradually builds, quiets, and then gathers more energy as each of the musicians solo - fascinating! "Carson" picks the tempo back up with an easy groove that intensifies in some places and relaxes in others, ending with all of the stops pulled out - a musical thrill ride! I have no idea of what "Cracks in the Clay" refers to, but it, too, starts out gently and very gradually builds to a roaring close with the sax in the lead for much of its seven minute playing time. "Night Sky" is the most peaceful and soothing track on the album. Very spare and open, it is much more ambient and paints a lovely picture of twinkling stars in a darkened sky as the world settles down for the night. There are two versions of the title track - the much shorter "radio edit" and the full nine-minute piece. Both versions of "Tales of the Skald" are high energy from start to finish. The album closes with "Back Home," a great place to return to after an adventure! Gentle feelings of contentment run throughout the music, as does a sense of joy. Ah, home sweet home!

Tales of the Skald is available from Bandcamp, Amazon, Apple Music/iTunes and streaming sites including Spotify.