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Album Review: Faces & Places
Pilpil Music
Cover image of the album Faces & Places by Pilpil Music
Faces & Places
Pilpil Music
2026 / Pilpil Music
62 minutes
Review by Kathy Parsons
Faces & Places is a collection of twenty original pieces composed for string quintet by Pilpil Music, a self-taught composer and multi-instrumentalist from Bilbao, Spain. Composed, orchestrated and produced by Pilpil Music, the music was inspired by people, places and memories that stay with us for most, if not all, of our lives. The album was recorded using virtual string instruments (VSTs) in a contemporary classical and sometimes cinematic style. The string quintet consists of two violins, viola, cello and double bass.

Quoting Pilpil Music:
“Rather than describing events as they happened, each piece explores how memories evolve through emotion, imagination and personal experience. Every composition becomes a musical portrait, revealing not only a place or a person, but the way they continue to live within us. Combining lyrical melodies, expressive chamber textures and rich contemporary harmonies, the album invites listeners on a journey through remembrance, identity and transformation.”

Faces & Places begins with “Unfolding Memory,” described as “where fragmented memories slowly emerge and begin to take shape.” The stringed instruments alternate between bowed and pizzicato (plucked) playing styles, adding to the changing variety of sounds in the music - from light and playful to much more serious. It’s a fascinating start! “Salt Air Memories” recalls time spent by the ocean with its refreshing sea breezes and the beauty of the coast. Varying themes and moods are woven together to create a colorful tapestry of sounds and seaside memories. You don’t hear blues played with strings very often, but “Josepo Blues” does just that - a fun and fascinating track! Pilpil Music describes “The Penguin That Didn’t Want to Live in the North” as “a whimsical story about individuality, curiosity and choosing one’s own path,” and while the piece is tinged with melancholy, it has a real sweetness and innocence about it. “Blue Room” describes “an intimate musical space were silence and reflection become part of the melody.” The piece begins with a combination of bowed and plucked strings along with a hint of mystery that weaves in and out of the music - a favorite. “Gelle-Klara Revisited” recalls a bittersweet visit with someone whose image has changed with time. Sometimes it’s difficult to imagine how someone from the past became the person they are now, and parts of the piece seem to suggest that frame of mind. “Religious Rock in the Fog” very beautifully expresses the feeling of images mysteriously moving in and out of dense fog - especially in or near the water. I really like this one! Very dark and dramatic, “Orange Storm” paints a portrait of when light, color and movement collide. “Jellyfish Waltz” is another favorite and is a slow waltz that beautifully expresses the graceful movement of these amazing sea creatures. “Bilbao Memories” recalls the area where the composer grew up, expressing a variety of personal impressions rather than simply describing the place itself. Nostalgic and bittersweet, a variety of themes flow seamlessly to tell the story. Faces & Places closes with “Silent Frame,” a piece that invites the listener “into a quiet space where memories settle into silence.” Very still and often almost ambient, it’s a gentle close to the album!

Faces & Places is available to stream and download from Bandcamp. Some of the pieces can be streamed on Spotify and Pandora, but not the full album. If you’re looking for something kind of different, this one just might work! Check it out!
August 31, 2026
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Latest ReviewsModern Classical